Artistic research
My artistic practice unfolds at the threshold between cultures, languages and forms of presence.
I develop long-term performative formats that explore passage, listening and encounter through voice and narrative structures.
Each work becomes a temporary space of suspension — an interstice where difference can be approached without being simplified.
Key Axes
Threshold & Passage
I am drawn to liminal spaces — moments of crossing where identities meet without dissolving into one another.
The voice moves across languages as a connective thread, preserving distinct tonalities while allowing resonance.
Voice as Movement
Listening is not passive reception but an embodied act. It reshapes perception and opens proximity.
Listening as Practice
The journey outward ultimately becomes a return — to a renewed awareness of shared human ground.
Return
Threshold Relational Practices
(ongoing research framework)
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Threshold Relational Practices is an ongoing artistic research investigating how spatial, vocal and participatory structures can transform transitional sites into relational environments.
Working with domestic interiors, architectural passages and liminal contexts, the research explores how embodied voice and subtle spatial interventions can shift perception and create shared grey zones between presence and distance.
Memorabilia - 2021 Casa de Stabile
Research in Practice
This research unfolds across installations, animation, curatorial projects, participatory formats and site-responsive interventions.
It moves between visual art, performance, sound and critical reflection, treating each medium not as a separate discipline but as part of an interconnected ecosystem.
Each work is conceived as an evolving structure rather than a fixed event — a space of encounter where narrative, context and audience become active components of the artistic process.
Theoretical Background
My work is informed by studies in aesthetics and philosophical reflections on encounter, relational space and hospitality.
These foundations are not illustrated directly, but translated into performative structures and embodied experience.